Every week the Civic Museums of Bologna propose a rich calendar of events, to unveil their collections and tell new and unusual aspects and episodes of the city’s history, also through different points of view and unusual combinations between the different collections. Conferences, workshops, concerts, guided tours, language visits are the main “tools” of this story, which unfolds over thousands of years of history, from the first stone tools of men who lived 800,000 years ago to the products of the current industrial district, from painting to the various forms of modern and contemporary art, from music to great political and civil epics.
Following are the appointments scheduled from Friday 7 to Thursday 13 December.
From Tuesday 11 to Friday 21 December 2018 the “Focus on Contemporary Italian Art “and” New Acquisitions “of the permanent collection Mambo will be closed to the public for fitting out exhibition” Back to the Future? “And rearrangement of the collections.
IN EVIDENCE
Sunday, December 9th
4.30pm: Medieval Museum – via Manzoni 4
“It’s here – Social pattern design on seating “
On the last day of opening, guided tour of the exhibition organized by the Academy of Fine Arts in Bologna and the social cooperative La fraternità.
Admission: museum ticket (€ 5.00 full price / € 3.00 reduced)
11 am-5pm: Piazza dei Colori
“Il Vecchione 2019”
As part of the New Year organized by the City of Bologna, the MAMbo Educational Department and “Senza titolo” – Projects open to culture, flanked Cantieri Meticci in the creation of Vecchione 2019, a “participated” Vecchione built together with families, children and citizens all.
Second appointment Sunday 9 December in Piazza dei Colori from 11 to 17 to answer the question “Who and what will we open in the year to come?”.
Everyone is invited to bring wooden objects from home that no longer serve as doors, drawers, windows, tables and chairs that the scenographers of Cantieri Meticci will be able to elaborate in an original work. All the materials received and produced during the day will contribute to shaping the figure of the Vecchione 2019, the result of a participatory workshop action, taken from the practices of art.
Free entry
FOR CHILDREN
Saturday 8 December
4 pm: Museum of Industrial Heritage – via della Beverara 123
“Robot” laboratory for children from 8 to 12 years.
A fascinating meeting to take the first steps in the world of robotics and discover, while having fun, what robots can do and what their main areas of use are.
Starting from the first automata of the Renaissance period used to amaze during the shows and then passing to illustrate the mechanical scribes of the eighteenth century, it will come to show how droids and androids are not only characters of our imagination but sophisticated machines used today to help humans in situations danger or in the management of daily life such as assistance to the elderly or the sick in the wards of a hospital.
With simple experiments, it will be possible to try out how articulated the programming of an automaton is and how to develop an instruction program and how the movement and walking techniques of these machines have evolved.
The animation involves the use of simple robot models and the analysis of pieces of science fiction films and short cartoons.
Reservations required at 051 6356611 (before 13.00 on Friday 7 December).
Admission: € 5.00 (free for an adult escort)
Sunday, December 9th
4 pm: Archaeological Museum – via dell’Archiginnasio 2
Within the cycle At the museum for games
“Big hunting! On the trail of the animals of ancient Egypt”
Animated visit for children from 5 to 7 years, by the archaeologists of the Aster society.
An animated visit through which to bring the little ones closer to the Egyptian civilization, in search of the animals that are depicted on the objects of the collection with the help of some teaching aids to be able to recognize them more easily.
After the visit the children will be able to rework what they have seen, through the participated narration of one or more myths that see the animals as protagonists, as well as being important in daily life, they were also closely related to some deities.
Reservations required on the museum website: www.museibologna.it/archeologico/eventi .
Admission: € 4.00 for the guided tour + museum ticket (€ 5.00 full price / € 3.00 reduced). For the holders of the Bologna Metropolitan Museums Card € 3.00 for the guided tour (free museum entrance)
4.30 pm: Archaeological Museum – via dell’Archiginnasio 2
“On the wave of Christmas”
Visit with a workshop for children aged 5 to 11 dedicated to the exhibition ” Hokusai Hiroshige . Beyond the wave “, by the Educational Services Institution Bologna Musei.
Three Sundays in December, three trips in the images and colors of Japan to create original artifacts to put under the tree.
Reservations required at 051 6496627 or mamboedu@comune.bologna.it .
Duration: 2 hours. The activity starts with a minimum of 6 children.
Admission: € 5.00 per child + exhibition ticket (free for children under 6, reduced from 6 to 17 years and family)
THE OTHER APPOINTMENTS
Friday 7 December
5 pm: Municipal Art Collections and Sala Farnese, Palazzo d’Accursio – Piazza Maggiore 6
“A head, a face, even in differences”
Guided tour of the exhibition organized by the Educational Services Institution Bologna Musei. With Paolo Cova.
Admission: € 4.00 for a guided tour + ticket show
Saturday 8 December
10.30 am: Davia Bargellini Museum – Strada Maggiore 44
“Genovese 18th century cribs from the Museo Giannettino Luxoro “
Guided tour of the exhibition with Fernando Lanzi, Center for Studies for Popular Culture.
Free entry
4 pm: Archaeological Museum – via dell’Archiginnasio 2
“Bones, leather, fabrics and metals: Homo Sapiens turns out to be a craftsman”
Guided tour by the archaeologists of the Aster company.
Since man begins to build instruments, the evolution of technology becomes unstoppable: ever-changing materials and innovative ways to work them make life less difficult and allow archaeologists to find ever clearer and more numerous testimonies of new ways of living and craft traditions linked to them. During the visit it will be possible to observe closely and manipulate replicas and objects from the Paleolithic to the Iron Age.
Admission: € 4.00 for the guided tour + museum ticket (€ 5.00 full price / € 3.00 reduced). For the holders of the Bologna Metropolitan Museums Card € 3.00 for the guided tour (free museum entrance)
4.00 pm and 5.30 pm replication: Municipal Art Collections, Palazzo d’Accursio – Piazza Maggiore 6
“Bodies and looks” Show of the Theater-History Association.
Design and direction by Tanino De Rosa. Dramaturgy by Enrico Saccà. Artistic direction and collaboration with Silva Stagni’s texts.
With Silvia Bruni, Luca Comastri, Alessandra Cortesi, Sonila Kaceli , Luca Mazzamurro and the participation of Silvia Battistini, conservator of the Communal Collections of Art.
The fire, the plague, love and water are the themes and the energies that move this staging, symbolically crossing the history of our city and the paths of the museum.
The artists who created the event, looking for beauty even in its darkest sides, however, ask for something more to the spectators present: to observe cuts, limited glimpses, small signs, crossings, to hear sounds, often distant, fleeting, of to confuse the works exhibited with the actors of the show, exposed themselves, to approach bodies and shadows according to a partial but transversal design that runs through small fragments along the entire museum.
Reservations required at tel. 051 2193933 (Monday 9-13, Tuesday and Thursday 12-16) or musarteanticascuole@comune.bologna.it (by 12 noon on Friday 23 November).
Max 25 people to reply.
Admission: museum ticket (€ 5.00 full price / € 3.00 reduced)
Sunday, December 9th
10.30 am and 11.30 am: Archaeological Museum – via dell’Archiginnasio 2
On the occasion of the exhibition HOKUSAI HIROSHIGE. Beyond the wave. Masterpieces from the Museum of Fine Arts in Boston
” Furoshiki laboratory “
With Shimizu Nozomi , edited by Nipponica. Max 10 people per shift (recommended for an adult audience).
The furoshiki is a cloth of square shape that, with precise techniques of folding and knotting, is used to wrap and carry various objects. The idea dates back to the Nara period (VIII century): a practical and useful technique that over time has been refined to become an art and that today, thanks to its versatility and its environmental sustainability, relives with great success. During the workshop various techniques will be illustrated to make original gift bags and bags with furoshiki .
Admission: € 5.00
Museum of Music – Strada Maggiore 34
On the occasion of the #novecento review
10.30-13 and 15-17.30: “Music to see … on Sunday”
Guided tours “open demand” to the collections of the museum with Giuseppe Ayroldi Sagarriga , Museum of Music.
Mozart was wrong with his homework? Is the perfect keyboard insuonable ? Wagner was from Bologna? In Respighi’s orchestra was a turntable?
Do not you know? Then you can not miss the special “extended release” Sunday tours in which the museum staff will be at your disposal to answer these questions and all those that jump in mind on the collections on display: a guided tour (but not too much) through six centuries of music history talking about books, paintings, instruments starting from Palazzo Sanguinetti, the splendid seat of the museum.
Admission: museum ticket (€ 5.00 full price / € 3.00 reduced)
11 am: “Lucrezia Borgia between history and scene / Hugo and Donizetti, Paris and Bologna”
For the review “Rossini, Opere, Lettere” – meetings organized by the GB Martini Music Conservatory – a conference with Bruno Capaci, University of Bologna, as part of “The tenant of Strada Maggiore and Piazza Rossini – the master in Bologna in 150th from the disappearance “.
Admission: free subject to availability
17 hours: Within the Festival In Corde
“Stille Nacht ” Festival closing concert, curated by Freon Musica.
The title of the 2018 edition that inspires the theme of the Festival is perhaps unexpected: “Stille Nacht ” is the famous Christmas composition by Franz Xaver Gruber (1787-1863), which this year is the bicentenary of the first performance.
In 1818 Gruber was organist and choir director in the church of St. Nicholas in Oberndorf , a small town just a few kilometers from Salzburg. He had for some time been close to the young assistant parish priest Joseph Mohr, who was joined by his great passion for music. A few days before Christmas, Mohr asked him to music his poetic text, six simple and luminous stanzas of deep religious inspiration. Gruber satisfied the young priest’s wish and on Christmas Eve, after Mass, the two friends sang together, accompanying the guitar played by Mohr , what would become the most famous Christmas song in the world. This story guides the path of the In 2018 edition of In Corde, to the discovery of the thousand reflections of the sacred theme on the music of every time, from the cultured repertoire to the popular one to the pop one. Young musicians and well-known professionals realize this magical journey from the 16th and 17th century villancicos to the Ave Maria di De Andrè , to the singular performance of a Venezuelan Christmas carol for ocarina and guitar, passing through nineteenth-century pieces contemporary to Stille Nacht , whose performance for only choir and guitar, it is the red thread that guides the concerts.
Admission: free subject to availability
10.30 am: Medieval Museum – via Manzoni 4
For the cycle Collecting and dispersions
“From the church to the museum: history and recovery of liturgical manuscripts” guided tour with Alfredo Vitolo.
Admission: museum ticket (€ 5.00 full price / € 3.00 reduced)
11 am: Museum of the Risorgimento – Piazza Carducci 5
“Illustrated war, lived war: the Great War in Bologna between history and memory”
Guided tour of the exhibition.
Admission: museum ticket (€ 5.00 full price / € 3.00 reduced)
2 pm-6pm: Villa delle Rose – via Zaragoza 228/230
“Dina Danish & Jean- Baptiste Maitre . All They Do May It All Turn Out Wrong “
Cultural mediation at the exhibition organized by the MAMbo Educational Department.
Free entry
Info: www.mambo-bologna.org
2.30 pm: Certosa Cemetery – via della Certosa 18
“The Church of San Girolamo – Glory and splendor of the Bolognese Baroque”
Witness of the wealth of the monastery suppressed in the Napoleonic age, it preserves a precious wooden choir of the ‘500 and the most important cycle of Baroque painting still in the original place, where the most important brushes of the city were called. A unique opportunity to visit the church.
Organized by Associazione Cultural Didasco .
Reservations required at 348 1431230 (afternoon-evening).
Meeting at the main entrance of the Certosa (Church courtyard).
Admission: € 10.00 (for each paying entrance two euros will be donated for the development of the Certosa)
4 pm: MAMbo – Museum of Modern Art in Bologna – via Don Minzoni 14
” That’s IT! On the latest generation of artists in Italy and one meter eighty from the border”
Guided tour of the exhibition by the MAMbo Educational Department .
Reservations required at 051 6496627 (Tuesday and Thursday from 9 to 17) or mamboedu@comune.bologna.it .
Admission: € 4.00 + show ticket (€ 6.00 full price / € 4.00 reduced). For the holders of the Bologna Metropolitan Museums Card € 3.00 for the guided tour + € 3.00 for admission to the exhibition
4 pm: Museum of Industrial Heritage – via della Beverara 123
“Living in Bologna in the nineteenth century” guided tour.
The nineteenth century represented for Bologna an era of profound social, urban, economic and historical changes that radically changed the appearance of the city, the habits and ways of life of the Bolognese.
The Napoleonic occupation and the subsequent papal restoration lead to the definitive collapse of the silk industry, for centuries the strength of the city’s economy, forcing the city to withdraw into an economy linked to the transformation of agricultural products and to research new forms of production on the model of the Industrial Revolution.
The first signs of rebirth are felt around the fifties when some important artisan and industrial exhibitions of regional and national scope are organized, while the Aldini-Valeriani Institution is starting to operate with increasing effectiveness, whose educational model is based on the most important European technical schools.
At the same time, the City promotes public works designed to change the structure of the historic center, opening – for example – the very spacious Via Indipendenza, embellishing the government buildings and other places of public decorum. The city entrusts the gas lighting network to private concessionaires, launches the first horse trams and restores the ancient Roman aqueduct in 1881. Other interventions concern the sewage systems, the new slaughterhouses and food markets.
The first large mechanical workshops are located outside the fourteenth-century walls: Calzoni, De Morsier and Barbieri in Castel Maggiore, the forerunner of the future mechanical district of the twentieth century.
Reservations required at 051 6356611 (before 13.00 on Friday 7 December).
Admission: museum ticket (€ 5.00 full price / € 3.00 reduced)
Monday 10 December
3.30pm-6pm: MAMbo – Museum of Modern Art in Bologna – via Don Minzoni 14
“Artistic Heritage between tax benefits and regulations: a new proposal for the Notified Art”
The hosted meeting is part of the activities of the Centro Studi sull’Economia dell’Arte – Cestart which, born within the IULM University, where it holds the majority of its public commitments, operates in the national and international field for the analysis and the study of the artistic heritage market, an activity with significant potential for the production of employment, income and revenue.
In a period of profound crisis in the internal market of artistic assets, we will try to take stock of the situation on the Notified Artistic Assets that, even if they are privately owned, take on a publicistic nature with this device.
Speakers: Lucia Borgonzoni, Senator, Undersecretary at the Ministry for Cultural Heritage and Activities; Anna Maria Buzzi, General Manager at the Ministry for Cultural Heritage and Activities, Director of the Independent Evaluation Body of the MIBAC Performance; Angela Saltarelli, Lawyer, Chiomenti Law Firm ; Vito Testaj , Director of the Cultural Institutes of the Serenissima Republic of San Marino; Lorenzo Balbi, Artistic Director MAMbo – Museum of Modern Art of Bologna; Claudio Vivani , Lawyer, Law Firm Marani, Vivani & Associati; Giancarlo Graziani, Professor of Economics of Art, Coordinator of the Center for Studies on the Economy of Art – Cestart .
Introduces and moderates Guido Palamenghi Crispi , President of the Center for Studies on the Economy of Art – Cestart .
At the end of the interventions it is possible to ask questions from those present.
Information and registration: info@cestart.it .
Admission: free subject to availability
Wednesday 12 December
17-19.30 hours: Music Museum – Strada Maggiore 34
Within the review The Music Market
“Communication Sonar Festival and digital branding”
Meeting with Georgia Taglietti, Head of Communication, Sonar Festival, Barcelona.
The importance of communication in music: how the contemporary communication of events has changed between the online and offline world.
“Il Mercato della Musica” is a series of meetings organized by the Music Office of the Municipality of Bologna in collaboration with Bologna Welcome, with the aim of developing musical entrepreneurship and strengthening managerial and managerial skills.
The whole journey is a journey and a guide within the music market, through the understanding of the professional figures who inhabit such a complex environment and the activities necessary to create and manage a project.
Admission: free subject to availability
5 pm: Municipal Art Collections and Sala Farnese, Palazzo d’Accursio – Piazza Maggiore 6
“A head, a face, even in differences”
Guided tour of the exhibition organized by the Educational Services Institution Bologna Musei. With Ilaria Negretti.
Admission: € 4.00 for a guided tour + ticket show
Thursday, December 13th
5 pm: Davia Bargellini Museum – Strada Maggiore 44
“Genovese 18th century cribs from the Museo Giannettino Luxoro “
Guided tour of the exhibition with Ilaria Negretti, RTI Senza Titolo Srl, ASTER Srl and Tecnoscienza.
Free entry
7 pm: MAMbo – Museum of Modern Art in Bologna – via Don Minzoni 14MAMBO AGENDA
As part of the review The fabulous ’80
“1988. Orestis Mavroudis “
By popular demand, MAMbo re-proposes the Thursday appointment dedicated to ten works, ten artists, ten years: thirty minutes to tell a work of the exhibition ” That’s IT!”.
Ten engrossing meetings to relive the atmosphere of the fabulous’ 80s. Each appointment will be dedicated to an artist present in the exhibition whose year of birth becomes a pretext to retrace or learn about the events, the images, the protagonists, the fashions, the HIT of the period. Whoever was there will remember him, who was not there … he will find out.
For children 12 and older and adults. By the MAMbo Educational Department .
And if you keep the admission ticket, at the following appointments you pay only the cost of the guided tour.
Reservations required by 13.00 to 051 6496627 (Wednesday from 10 to 17 and Thursday from 13 to 17) or mamboedu@comune.bologna.it .
Admission: € 4.00 per person per visit + reduced admission € 4.00 (adults). For holders of the Bologna Metropolitan Museums Card € 3.00 per visit per person + admission € 3.00
EXHIBITIONS
Davia Bargellini Museum – Strada Maggiore 44
“Genovese 18th century cribs from the Museo Giannettino Luxoro ” 7 December 2018 – 20 January 2019
As is now the case for over ten years on the occasion of the Christmas holidays, the Civic Museums of Ancient Art, in collaboration with the Center for Popular Culture of Bologna, promote the Davia Bargellini Museum an exhibition event dedicated to traditional crib art , as a moment of approach and collective celebration of the representation of the Nativity.
In the context of this awaited appointment there is the exhibition “Genoese 18th century nativity scenes from the Museo Giannettino Luxoro “organized with the Civic Museums of Genoa, edited by Mark Gregory D’Apuzzo, Simonetta Maione and Giulio Sommariva, with the contribution of Fernando and Gioia Lanzi.
The initiative is part of the series of exhibitions that confronts nativity scenes in different regional areas, to document the extraordinary diffusion of this specific type of artistic production in Italy. After the strong Neapolitan tradition, which, through the “Scarabattola” of the Gianfranco Bordoni Collection, was the theme of the 2008 exhibition, this year the great school of Genoa, a city that since the first half of the 16th century has been the object of attention it has established itself as one of the most active centers in the production of nativity figures, alongside Naples and Bologna.
Next to the rich collection of the Davia Bargellini Museum – the largest, both numerically and qualitatively, of polychrome terracotta statues of the eighteenth-nineteenth centuries present in the city – the exhibition allows the public to admire two crib groups dating from the second half and the end of the eighteenth century, from the collections of the Museo Giannettino Luxoro di Genova, representative of the very high executive quality achieved in the production of this particular type of sculpture, generally for domestic use, of small size, but of great value.
The specimens selected for the exhibition, reconstructed with careful philological attention, can be traced back to the two main compositional variations represented in the Ligurian capital: on one hand wooden statuettes sculpted in the round and polychrome, on the other articulated wooden mannequins, partially polychromed , and covered with clothes in beautiful fabric, testimony of the great city textile manufacture.
Free entry
Municipal Art Collections and Sala Farnese, Palazzo d’Accursio – Piazza Maggiore 6
“A head, a face, even in differences” , until 6 January 2019
An exhibition made of glances against all forms of discrimination, with 40 large portraits of the American photographer Steve McCurry , including some unpublished, which tell the uniqueness of each individual and respect for life.
The photographs of Steve McCurry – 4 times winner of the World Press Photo and author of one of the most iconic images of the twentieth century, the “Afghan Girl” – portray a series of faces in which to recognize themselves beyond borders and barriers. Photographs that educate the knowledge and the vision without prejudice to the other, to safeguard the heritage of the differences between the cultures in the world. Because culture is the only means to save us as human beings. Hence the title of the exhibition which, paraphrasing one of the pivotal values of cooperating, ie the parity of each in making decisions, proposes it again in the universal terms of fairness: “a head, a vow” becomes “A head, a face” , the thought and the traits that make every person unrepeatable. And that, conjugated to the plural, they generate a community that produces tomorrow.
At Palazzo d’Accursio, McCurry’s photographs are exhibited on anthropomorphic wrought iron structures, designed by production designer Peter Bottazzi, who are positioned as if they were people walking inside the Sala and Cappella Farnese.
The exhibition is promoted by the Alliance of Italian Cooperatives (Legacoop, Confcooperative , Agci ) as part of the Biennial of Cooperation, in collaboration with the Bologna Museums Institution.
Villa delle Rose – via Zaragoza 228/230
“Dina Danish & Jean- Baptiste Maitre . Whatever They Do May it All Turn Out Wrong ” , until 6 January 2019
The exhibition project, curated by Giulia Pezzoli, constitutes the final phase of the residency period that the duo of artists of Franco-Egyptian origin Dina Danish & Jean- Baptiste Maitre performed in Bologna as part of the 2018/2019 edition of the ROSE Residence Program promoted byMAMbo – Museum of Modern Art in Bologna, aimed at promoting the international mobility of emerging artists and enhancing the most current expressions in the field of arts visual.
Danish & Maitre – a couple in life and art – have spent a total of six weeks in the Residence for Artists Sandra Natali, the multi-purpose venue that MAMbo makes available to young international artists to offer a space for comparison and experimentation, in order to support research and promote professional growth through the residence methodology adopted by major European training centers. During this period, the artists had the opportunity to develop a work plan aimed at creating an unpublished exhibition project, specifically designed for the rooms of Villa delle Rose, and the related publication published by Edizioni MAMbo .
The exhibition consists of 28 works, including a selection of recent works referring to the autonomous practices of the two artists and 14 new productions made as a collective during the period of residence in Bologna.
The entire exhibition project is conceived in close connection with the Villa delle Rose space and its structural features. In particular, Danish & Maitre were inspired by the symmetrical configuration of the first three rooms of the two floors of the building, identical in size and position, to develop an exhibition entirely based on dialectical and mirror-like counterpoints in which the works on the ground floor reverberate in those of the first and vice versa.
Casa Morandi – via Fondazza 36
“Umberto Bonfini, a doctor in Grizzana, from medicine to photography” , until January 6, 2019
The door of Casa Morandi opens to the meeting with the photography of Umberto Bonfini for the exhibition project curated by Claudio Spottl . A dialogue between the atmospheric atmosphere of the house-atelier in which Giorgio Morandi lived and worked for long decades until his death and a selection of images taken from the photographic archive left by Umberto Bonfini , a doctor led to Grizzana, who re-establishes a closeness between two figures united by a friendly acquaintance and an affinity of thought.
Born in Pisa in 1918, Umberto Bonfini arrived in Grizzana at the end of the forties to practice his profession as a surgeon. In the country of the Apennines of Bologna he met Giorgio Morandi, and later became a great admirer. Later he moved to Lagaro, a small town adjacent to Grizzana, where he continued to practice as a doctor and remained until his death on 10 August 1980.
His acquaintances with Giorgio Morandi brought Bonfini closer to his painting, causing him to paint several canvases under his influence. But Morandi’s art proves to be propaedeutic, above all, of what will become his real artistic figure: photography. In fact, he is interested in the world of photography only after Morandi’s death in 1964, starting to portray compositions of objects inspired by the still life of the Bolognese master, of which at Casa Morandi we can admire 14 copies made in the sixties.
Bonfini finds its definitive poetic expression in the register of photographic story, technique with which a story is told through a short sequence of photos tells a story, and in which it associates aesthetics and content by tracing a new path of artistic photography.
The exhibition set up at Casa Morandi bears witness to his intense photographic production contextualizing it through the exhibition of catalogs and documentary materials such as portraits, biographical notes and interviews.
Medieval Museum – via Manzoni 4
“The faces of the Buddha from the lost Indian Museum of Bologna” , until April 28, 2019
The exhibition, curated by Luca Villa, recomposes for the first time a large part of the collections that belonged to the Museo Indiano of Bologna, now divided and preserved in three different locations: the same Medieval Civic Museum, the Museum of Palazzo Poggi in Bologna and the Museum of Anthropology of the University of Padua.
The exhibition allows you to rediscover a significant heritage of objects and photographs that illustrate archeology and Asian Buddhist art at the time when the Indian Museum, also known as the Museum of Indology and Museum of Indian East Ethnography, remained open since 1907 to 1935.
The Indian Museum, housed in the Palazzo dell’Archiginnasio in the rooms now used by the Library, was originally designed to house the conspicuous collection of objects, photographs and manuscripts acquired by Francesco Lorenzo Pullè (1850-1934), professor of Indo-European Philology and Sanskrit from the 1899 at the Royal University of Bologna, during a trip in 1902 in Vietnam, Ceylon, India and Pakistan on the occasion of his participation in the International Congress of Orientalists in Hanoi.
The scholar had in mind to create a museum that would represent not only the geographical area to which he devoted his research for many years, but the entire Asian continent. However, his goal could only be achieved when the Municipality and the University of Bologna, entities that had participated in the creation of the Indian Museum, undertook to increase the original collection with purchases and temporary loans.
At the time of the opening, in the rooms reserved for the museum the public could observe photographs and objects collected during the stages of the Pullè voyage through British India, purchased for the purpose of illustrating the peculiar aspects of religion and the artistic and craft tradition of the subcontinent Indian, as they had manifested themselves during the previous centuries and for how they appeared in the present.
The exhibit, of which we have traced thanks to the museum plan, kept in the Municipal Historical Archive of Bologna, included many representations of divinities of the Hindu pantheon and, compared to the museums of the time, was distinguished by the presence of a vast collection of images that immortalized the Templar architecture of India, Hindu, Buddhist and Islamic.
The story of the Indian Museum ended definitively in 1935 and two years later the act was drawn up with which the collections were divided between the City and the University, which still remain custodians, and the Pullè family . The latter a few years later yielded at least a part of the collection received by the professor’s son, Giorgio, at the University of Padua, where Pullè he had taught for a long time before moving on to the Alma Mater.
“It’s here” Social pattern design on seating ” , until December 9th 2018
On the occasion of the Giornata del Contemporaneo, promoted by AMACI, the Museo Civico Medievale di Bologna presents” It’s Here, Social Pattern Design on Seating “, a research project, dedicated to living, created by the students of the Course of Decoration for Architecture at the Academy of Fine Arts in Bologna.
Starting from the story of words, images and sounds of the boys of the social cooperatives La Fraternità e Arca di Noè, the students realized the textile patterns, printed on fine series fabric at the company Dino Zoli Textile , for Jointly , an original collection of seats. The archive of the signs and the oral heritage collected during the meetings, have been graphically re-elaborated by the students in the 29 textile prints from the new narrations.
“IS HERE”, the phrase printed on one of the sessions on show, symbolically presents the relationship fruit of the mixture of different identities, made of desires, emotions and memories that have inspired the path of work. And it is starting from here that the students Bingjie An, Xi Chen, Hanssen Diaz, Arianna Fiorentino, Xue , Jiang Samira Khajavi , Ghazaleh Kohandel , Debora Lake, Weiguo Lai, Ruobi Li, Baoyi Liu , Ruiqi Ma, Elora Ndini , Ailar Noori , Sara Ruggeri, Yuxiang Wang , Ning Yu , Luo Zhang, Liyuan Zheng , Yianxi Zhou have developed their experimentation, made of that initial encounter experience combined with personal research languages. Promoted by the Academy of Fine Arts and the Civic Museums of Ancient Art, the project, sponsored by the Dino Zoli Foundation of Forlì, is supported by Dino Zoli Textile di Forlì and the Progetto Recooper
in collaboration with the social cooperatives La Fraternità e Arca di Noè of Bologna for the European Year of Cultural Heritage.
The exhibition, curated by Vanna Romualdi with the coordination of Laura Giovannardi , is part of the cultural project “Heritage, resources for public space, tools for contemporary artistic research” promoted by the Academy of Fine Arts in Bologna.
“Praise for every hour: the Franciscan chorales from the Basilica of San Francesco” , until March 17, 2019
The exhibition, realized in the context of the Franciscan Festival, presents a varied selection of the various liturgical cycles, made between the 13th and 15th centuries for the Bolognese Basilica of San Francesco, which are currently part of the rich collection of illuminated codices of the Medieval Civic Museum from Bologna. Among these we note the series of precious Franciscan grades richly illuminated by the so-called Master of the Bible of Gerona, the absolute protagonist of the Bolognese book decoration of the late thirteenth century. Next to this is also the slightly later series of antiphonaries, also widely decorated, partly inspired by the oldest experiences of Giotto assisiate, evidently filtered into the city through the same order of the minor friars. To these first series of choruses others followed during the fifteenth century,when the friars minor entrusted themselves to various miners coordinated by the Bolognese Giovanni di Antonio, to decorate around 1440-50 some of their liturgical books, also presented during the exhibition.
Museum of Music – Strada Maggiore 34
” Amandine Meyer, Mosca Cieca”, until December 16, 2018 The exhibition, organized as part of BilBOlbul in collaboration with Fondazione Nuovi Mecenati, is dedicated to Amandine Meyer , illustrator and French cartoonist. Entering the exhibition of Amandine Meyer means stepping into her lustful and pop garden, inhabited by disturbing and colorful little girls, faceless children, carnivorous plants and awkward little animals. And once inside, stay entangled in the seductive universe of Meyer
it’s a moment: pastel colors, elegant decorations, the kitschy aesthetics of his characters invite you to look with children’s eyes, stop asking questions, let go and play. In fact, between dice, pawns and boxes to jump, the show itself becomes a game.
Amandine Meyer is an artist still unknown in Italy; his works – whether made of paper, glass, ceramics or one of the many materials he uses to create – are a pleasure for the eyes and a provocation for the mind. Pavilion de l’Esprit Nouveau – Constitution Square 11 “PHOENIX: The Pavilion of the Esprit Nouveau between reconnaissance and restoration”, until 6 January 2019
A year after its reopening to the public after the restoration work financed by the Emilia-Romagna Region and the Municipality of Bologna, the Pavilion de l’Esprit Nouveau hosts the exhibition “PHOENIX: The Pavilion of the Esprit Nouveau between reconstruction and restoration” curated by Maria Beatrice Bettazzi , Jacopo Gresleri and Paolo Lipparini with the high consultancy of Giuliano Gresleri .
The exhibition, designed by architect Jacopo Gresleri , offers the viewer the opportunity to retrace the history of building the building, a replica – faithful in every detail – of the prototype housing unit thatarchitect Le Corbusier he had proposed to Paris in 1925 on the occasion of the Exposition des Arts Decoratifs and Industriels Modernes , then demolished at the conclusion of the event. Inside the Pavilion are exposed the projects, drawings, images and testimonies that document the process of realization of what is the only work of the Swiss-French master present in Italy, from the ideation and study to the various stages of work. The drawings, coming from the Fund of the Historical Archives of the University of Bologna and from the private one of Professor Giuliano Gresleri , highlight the research process at the base of the reconstruction and the choice of all the details – fixtures, doors, floors and colors -, to which Le
Corbusier paid particular attention, in a vision of chromatic and functional space in constant relationship between interior and exterior.
On display are some materials from the Cassina Collection of the Historical Archive of Cassina in Meda, the models made by the students of Giuliano Gresleri’s Atelier at Syracuse University and the exceptional arrangement of historical volumes from the Gresleri Collection , dedicated in particular to the themes of low-cost accommodation, architectural colors and architecture education.
Original films from 1977 are also visible, in which illustrious protagonists of the Italian architectural world talk about the specific features of the Pavilion, the first building in the history of architecture to introduce a large plant element within the building, and the importance of its reconstruction.
The exhibition is promoted by the University of Bologna, Historical Archive – ASUB-SA with the support of the Urban Quality Service and Housing Policies – Directorate General for the Territory and Environment of the Emilia-Romagna Region and IBC – Institute for Artistic Heritage, cultural and natural resources of Emilia-Romagna.
In collaboration with Bologna Museums Institution | MAMbo – Museum ofModern Art in Bologna and under the patronage of Fondation Le Corbusier , National Council of Architects, Planners and Landscapers and Conservators and Order of Architects of Bologna.
Opening hours: Saturday and Sunday 15-17.
it is possible to take part in a guided tour organized by the MAMbo Educational Department (by reservation, phone 051 6496611).
Municipal Art Collections, Palazzo d’Accursio – Piazza Maggiore 6
“The soul and the body, Images of the sacred and the profane between the Middle Ages and the Modern Age” , until 24 February 2019
The Civic Museums of Ancient Art are continuing their efforts to promote the Municipal Art Collections in conjunction with the restoration work on the Palazzo d’Accursio roof, which will be completed in spring 2019, promoting a new exhibition that will revisits the extensive permanent heritage in the light of a new thematic criterion.
After a first reorganization focused on the birth of modern taste between the 18th and 19th centuries, the new arrangement of the exhibition itinerary proposes a fundamental theme in the Western figurative culture, the representation of the divine and the human figure, investigating the iconographic evolution between the XIII and the eighteenth century.
The exhibition, curated by Silvia Battistini and Massimo Medica, recomposes some of the museum’s most important historical-artistic works – including the rich collection of Primitive sculptures and medieval paintings; the precious tables of Francesco Francia, Amico Aspertini , Luca Signorelli and the paintings by Prospero Fontana, Ludovico Carracci, Michele Desubleo , Guido Cagnacci, Donato Creti, Gaetano Gandolfi, Pelagio Palagi – ordered according to two lines of reading that alternate in the exhibition rooms narrating on the one hand, the essence of the divine, on the other, life and daily feelings.
Visitors can thus understand how even the most famous religious and secular representations have not remained the same over the centuries, but have accompanied the renewal of artistic language, reverberating the debate on the representation of the human body in changing the social climate and European religious.
If the Middle Ages use the representation of the body to give an identity to the religious dimension in its different manifestations (Eternal Father, Christ, the Virgin, the saints), in the Renaissance the body represented in a naturalistic way becomes fundamental to give a face to holiness and facilitate the dissemination of Catholic doctrine.
Museum of the Risorgimento – Piazza Carducci 5
“Illustrated war, lived war: the Great War in Bologna between history and memory”, until 27 January 2019
A hundred years after the end of the First World War, the exhibition presents the results of the project “The Great War in Bologna between History and Memory” “Aimed at the implementation of the portal www.storiaememoriadibologna.it to create and make accessible, in a unitary form, a collective, citizen and national memory on events related to the first world war, with particular reference to the memory of the fallen Bolognese.
The initiative, by Mirtide Gavelli and Roberto Martorelli, intends to act as a moment of knowledge and promotion of the work of digitizing documentary and memorial sources of different nature carried out between 2015 and 2018, through the exposure to the public of some of the most important documents belonging to a heritage still little known and in some cases completely unprecedented.
On the walls of the exhibition hall a selection of recently restored national loan propaganda posters recall what our ancestors could see on the walls of Bologna and other Italian and European cities: a massive, multifaceted, capillary propaganda, because every citizen without distinction of age and social condition, it felt “internal front” and behaved as such, contributing, according to its possibilities,to the final victory.
In the windows there are documents and original relics related to the city of Bologna, normally not visible to the public, that the implementation of the portal has allowed to know and contextualize, reproducing the images and telling the story. These include documents and photographs from public and private archives, including those donated by the families of Nazario Sauro and other heroes of the war; memories of the “Pantheon of the famous Fallen” created inside the Laura Bassi school during the years of the conflict; documents of the Office for news to the families of the military, the great first Bolognese experience then national women’s voluntary service; the numerous portraits of the fallen during the works.
Through a QR code, with a smartphone you can also access all the news and insights contained in the portal: the room has in fact free wireless access and the portal itself is viewable from all devices. The strongly educational and popular value of the project that is addressed not only to a young audience is evidenced by the presence of a totem in the exhibition that allows you to explore the virtual 3D reconstruction of the grandiose Lapidary of the Basilica of Santo Stefano, as presented in year of inauguration (1925): with the names of the 2,536 fallen of the city of Bologna recorded in the 64 tombstones placed inside the cloister.
Museo Archeologico – via dell’Archiginnasio 2
“HOKUSAI HIROSHIGE Beyond the wave.Masterpieces from the Museum of Fine Arts in Boston ” , until March 3, 2019
The Archaeological Museum houses the works of the two greatest masters of the” Floating World “: Katsushika Hokusai (1760-1849) and Utagawa Hiroshige (1797-1858). The exhibition, for the first time in Italy, an extraordinary selection of about 150 works from the Museum of Fine Arts in Boston The project, subdivided into six thematic sections, edited by Rossella Menegazzo with Sarah E. Thompson, is a MondoMostre Skira production with Ales SpA Art Work and Services in collaboration with the Museum
of Fine Arts in Boston, promoted by the Municipality of Bologna Bologna Museums Institution and sponsored by the Agency for Cultural Affairs of Japan, the Embassy of Japan in Italy and the University of Milan.
The 1930s marked the pinnacle of ukiyoe production known as “images of the Floating World”. At that time the most important silicon series were made by the masters who confirmed – a few decades later with the opening of the country – as the greatest names of Japanese art in the West. Hokusai
immediately stood out among them , artist and personality out of the lines that was able to represent with force, drama and synthesis together the places and faces, as well as the character and beliefs of the society of his time. He is considered one of the finest representatives of the ukiyoe pictorial tradition . In his paintings on roll, but above all through his polychrome silographies, the artist knew how to interpret the world in which he lived, with free and fast lines, a skilful use of color and in particular of the Prussian blue, recently imported in Japan, drawing inspiration from both traditional indigenous painting and western art techniques.
Younger than about twenty years compared to Hokusai , Hiroshige became a famous name for painting ukiyoe shortly after the release of the “Thirty-six views of Mount Fuji” of the master thanks to a series, in the same horizontal format, which illustrated the great way that connected Edo (the ancient name of Tokyo) to Kyoto. These were the “Fifty- three post stations of the Tōkaidō “, known as ” Hōeidō Tōkaidō ” from the name of the publisher who launched the success of Hiroshige . Since then the artist worked repeatedly on this same subject, producing dozens of different series until the fifties. The quality of landscape illustrations and views of Japan, the variety of seasonal and atmospheric elements – snows, rains, mists, moon flares – that Hiroshige he was able to describe making them perceive in an almost sensorial way earned him the title of “master of rain and snow”.
MAMbo – Museo d’Arte Moderna di Bologna – via Don Minzoni 14
“Back to the Future? From outside schools to new educational experiences in nature” , up to December 9, 2018
The Mambo devoted to a very topical issue – schools all ‘open – the exhibition “Back to the future – from outdoor schools to new educational experiences in nature”, curated by Mirella D’Ascenzo and Mino Petazzini . The outdoor schools, born for the care of children frail and frail, were in fact also a forge of innovative pedagogical and educational experiments, thanks to the daily contact with the natural environment and a new relationship between indoor and outdoor.
Through original documents, photographs, objects and videos the exhibition traces some fundamental stages of the relationship between education and nature from the 1700s to today, focusing on outdoor schools since the early twentieth century – Bologna was then a significant and original stage – up to the most recent educational experiences in nature, of which Bologna is still a place of interesting experimentation.
The initiative is promoted by the Bologna Museums and Educational Area Institution,Education and New Generations of the City of Bologna in collaboration with the Villa Foundation Ghigi and University of Bologna. The exhibition also takes place within the ambit of a larger project entitled The backstage of the museum: to create and make an exhibition live, organized by MAMbo in collaboration with Oficina Impresa Sociale, which won the tender “Take part! and creative thinking “conceived by the Directorate General for Contemporary Art and Architecture and Urban Peripheries (DGAAP) of the Ministry for Cultural Heritage and Activities, with the aim of promoting the cultural inclusion of young people in areas characterized by situations of economic and social marginality.
“VHS + Video / animation / television and / or independence / technical training / production control 1995/2000” , until 17 February 2019
In the exhibition space of the Project Room, dedicated to the rediscovery of some of the most stimulating and innovative artistic episodes originating in the Bologna and regional artistic field, MAMbo presents “VHS +”.
The exhibition project, born from an idea by Saul Saguatti (Basmati Film) and Lucio Apolito (Opificio Ciclope) with the curation of Silvia Grandi and realized in collaboration with the Department of Arts of the University of Bologna, is configured as a device of audio-visual pulsations that arise from the hybridization of different languages, formats and practices of video communication experimented in Italy between 1995 and 2000, telling the electronic dream of a season between analog and digital.
The production of the period exerted from the individual self-direction to extend to a collective dimension, constituting independent media-cultural research groups that become real brands, such as Opificio Ciclope, Fluid Video Crew , Ogino Knauss , Otolab and Sun Wu Kung of which the exhibition documents the peculiar expressive approaches. In a world still without bulletin boards, chat rooms, social media and YouTube, these pioneering workshops have physically built projection screens in their respective residences – Link Project in Bologna, Forte Prenestino in Rome, CPA ExLonginotti in Florence, Garigliano and Pergola in Milan – developing creative forges tuned with the most advanced contemporary experiments in Europe.
“VHS +” finds an extension on-line at www.vhsplus.it , where archival and in-depth material can be consulted.
The exhibition avails itself of the technical sponsorship of Eurovideo that has granted the instrumental supplies for the preparation of the audio-video system.
” That’s IT! On the last generation of artists in Italy and a six-footer from the border” until January 6, 2019
The Mambo opens the exhibition program of its main space – the chimneys of the room – under the artistic direction by Lorenzo Balbi,with “ That’s IT! On the last generation of artists in Italy and a six-footer from the border “, an exhibition that presents the work of 56 artists and collectives born from 1980 onwards, exploring different media and languages.
The exhibition, generational openly cut, investigates the most recent developments in art in our country, consistently with a precise positioning on the Italian and international scene that the MAMbo he chose to give himself, identifying a clear scientific identity for each of his exhibition spaces. In this context, the museum confirms and develops a vocation that has historically made it a point of reference and privileges, for the exhibitions in the Sala delle Ciminiere, research on new generations, experimental media and emerging names never presented in Italy. Particular attention is also paid to the production of new works, also with a view to increasing the permanent collection: many works on show will in fact be made for the occasion.
” That’s IT!” (IT as the European Union code that identifies the initials of Italy) does not develop, intentionally, around a concept unitary and monolithic, but proposes questions and possible readings of the contemporary in an open, dialectical and magmatic perspective. Does it still make sense to define an “Italian” artist today? What contributes to determining the definition of “Italianità”? Does this definition have consequences on the artist’s self-representation? Where and how do we put the geographical and generational border?
In the exhibition you can find some possible clues. Artists born in Italy who work in Italy are included; born in Italy who work abroad; born in Italy who work both in Italy and abroad; born abroad who work in Italy; born abroad who work abroad but who have studied in Italy.
The only limit that has been chosen to establish and maintain rigidly is that of the age registry, to give space and visibility to those who have appeared more recently on the art scene: none of the protagonists of the exhibition was born before 1980.
The exhibition presents an overview of the Millennials generation, the first to experience a continuous adaptation to the frenetic evolution of technologies, constant hyper-interconnection and, on the social level, a growing precariousness of the world of work in a context of economic crisis. A generation that has abandoned the certainties and ideologies of the previous ones in order to adopt expressive modalities that stimulate them to question themselves on the present, to investigate the contemporaneity rather than to provide answers.
Museum of Industrial Heritage – via della Beverara 123
“The Emiliano Romagnolo Canal in the gaze of Enrico Pasquali”, until 6 January 2019
The promise to give the visitor unique and original suggestions of our territory – already included in the title of the exhibition for images ” Emiliano Romagnolo Channel in the eyes of Enrico Pasquali “- is widely maintained in the collage of emotions in black and white that the Consortium for the Emiliano Romagnolo Channel (CER) has conceived and organized with the collaboration of numerous partners to enhance not only one of the hydraulic works most important in the country, but to celebrate the activity of the hardworking man.
The exhibition gives to our present the relevance of the Channel for the agri-food economies of part of Emilia and much of Romagna. At the same time it makes us jump backwards, in a composite universe made of essentiality, raw, real, almost documentary, represented by the master of neorealism of Castel Guelfo, born in that slice of land washed by the Sillaro often referred to as the watershed of border between Emilia and Romagna, which began the “profession” of photographer in Medicine.
The exhibition will show a significant selection of Enrico Pasquali’s works from the 50s-60s and a video with a rich series of oral testimonies and interviews with workers, technicians, designers and executives, protagonists of the start-up of the works of the Emiliano Romagnolo Canal , recently created by Sonia Lenzi, directed by Enza Negroni.
“Sculpture and Business, exhibition of the sculptor Michele D’Aniello”, until January 27, 2019
The project “Sculpture and Business”, born in 2008 from an idea of the sculptor Michele D’Aniello, includes today about 80 companies, national and international, which enthusiastically welcomed and joined the positive and innovative project of contemporary art.
What the exhibition presents is the value of beauty and ingenuity, tenacity and courage; it is the history of values and its motto is summarized in these few words: “The shape of Values, the Values of Form”, which has always been the guiding thread of Sculpture and Business and of all the art of D’Aniello.
“Sculpture and Business” takes place under the patronage of the Emilia-Romagna Region, the Municipality of Bologna, the Municipality of Pianoro and Unindustria Bologna.
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The Bologna Museums Institution recounts, through its collections, the entire history of the metropolitan area of Bologna, from the earliest prehistoric settlements to the artistic, economic, scientific and productive dynamics of contemporary society.
A single widespread route across the territory, divided into thematic areas.
Archeology, history, art history, music, industrial heritage and technical culture are the major themes that can be tackled, even through transversal paths to various locations.
The Bologna Museums Institution: MAMbo – Museum of Modern Art of Bologna, Morandi Museum, Casa Morandi, Villa delle Rose, Museum for the Memory of Ustica, Civic Archaeological Museum, Medieval Civic Museum, Municipal Art Collections, Civic Museum of Industrial Art and Davia Bargellini Gallery , Museum of the Industrial Heritage, Museum and Library of the Risorgimento, International Museum and Library of Music of Bologna, Museum of Textile and of the “Vittorio Zironi” Upholstery.
Info: www.museibologna.it .
The Card Musei Metropolitani of Bologna is the service activated on the occasion of the IX centenary of the City of Bologna to expand accessibility to the city’s historical and artistic heritage: a subscription that offers unlimited access to permanent collections and reduced price admission to temporary exhibitions of many museums in the city and Metropolitan area. Valid for 12 months and costs 25 euros: all information is available on the cardmuseibologna.it website.
